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SHU QI BY MARIO TESTINO by Mario Testino for Vogue China December 2013 by Mario Testino for Vogue China December 2013 by Mario Testino for Vogue China December 2013 by Mario Testino for Vogue China December 2013 by Mario Testino for Vogue China December 2013 by Mario Testino for Vogue China December 2013 by Mario Testino for Vogue China December 2013 by Mario Testino for Vogue China December 2013 by Mario Testino for Vogue China December 2013 by Mario Testino for Vogue China December 2013 by Mario Testino for Vogue China December 2013 by Mario Testino for Vogue China December 2013 by Mario Testino for Vogue China December 2013 by Mario Testino for Vogue China December 2013 by Mario Testino for Vogue China December 2013

Nik Knight gives some directions to model  Julia Stegner

In a new book, “Study of Pose,” which includes an introduction by Jean Paul Gaultier, Sebring has shot the adroit Canadian supermodel Coco Rocha, known as the “Queen of Pose,” in 1,000 different positions. Sebring captured each of Rocha’s postures — from the sultry stance of a rock star to the pointed pirouette of a prima ballerina — using a setup he calls "the Rig", which consists of 100 cameras arranged in a circle that allows for a 360-degree view of each moment. [via The New York Times ] Order your copy here! ==>   Study of Pose: 1,000 Poses by Coco Rocha Order your copy here! ==>   Study of Pose: 1,000 Poses by Coco Rocha

Photographed by Norman Jean Roy at the Joughin Ranch in the Santa Susana Mountains in California. *click on image for larger view*

William Klein (born in NYC, 1928) is ranked 25th on Professional Photographer’s Top 100 Most influential photographers. William Klein grew up in New York and, as a painter, went to work in Fernand Leger's Paris studio. He became interested in photography to record movement in his paintings and began using a camera. He was soon photographing other interests, and in 1954 his work was seen by American Vogue art director (and sculptor) Alexander Liberman, who offered him a contract as a fashion photographer. Liberman saw in his work a fresh approach and one that seemed to have a certain violence that would move the magazine away from the 'polite' images of Cecil Beaton .  Because Klein did not know how to use a studio, he took the models out onto the streets to photograph. Later he pioneered the use of wide angle and telephoto lenses for fashion work. Klein's photo-reportage style involved a rejection of the established notion of the photographer as a 'fly on the wall...