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Muhammad Ali Vs. Liston II © Neil Leifer, 1965 Watch video below - full sceen!  The undisputed champ of boxing photography, Leifer has delivered some of the sport’s most iconic and memorable images in  Sports Illustrated ’s 60-year history, none more so than Ali posed over Liston. 

Fabiano Rodrigues was born in Santos, São Paulo, 1974. He approached photography through skateboarding, first appearing in photographs as a professional skateboarder, while performing maneuvers through out Brazil and Europe. The interest in composition, in motion capture and architecture, propelled him to photograph other skaters in the city, so as to be recognized both as a photographer and as a skater. Shooting with a Hasselblad camera using a remote control, he records the apex of his own motion in a previously planned framework. These photographs are always one off prints, exploring the history and repertoire of skateboarding movements, particularly its relationship with the city, its architecture and urban furniture. [via GaleriaLogo ] These remarkable images are impressive on their own merit, but even more so considering they are self portraits. Enjoy! Fabiano Rodrigues looking rather serious posing next to one of his images.

From Photography to Film: Stanley Kubrick Enters the Ring "Although Kubrick is regarded as the most critically and commercially successful photographer turned full-time feature filmmaker (and my personal favourite director), this mainstream acclaim might also be the reason his name rarely enters the discussion of the legendary New York-based photographers and their progressive contributions to avant garde and non-narrative filmmaking. This tradition includes Paul Strand (Manhatta, 1921), Rudy Burckhardt (The Pursuit of Happiness, 1940) Helen Levitt (In the Street, 1949), Ruth Orkin & Morris Engel (The Little Fugitive, 1953), William Klein (Broadway by Light, 1958) and Robert Frank (Pull My Daisy, 1959), among whose varying innovations include discrete handheld photography, examples of “life caught unawares,” and blurring lines between documentary and staged situations."[via Time Lightbox] Read more:   http://lightbox.time.com/2012/11/01/from-photography-to-film-stanle...