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"Paris & NYC, like many large cities, have a lot in common; transport, infrastructure, national monuments. I wanted to explore not only these comparisons but also the differences, in order to expose the beauty and individuality of each. What you cannot deny is the vibrancy and explosion of character each city has and I thought split-screen with time-lapse would be a good way to help convey this." MATEL Shot with canon 5D mark III Paris / New York from MATEL on Vimeo .

Take a tour through Pyongyang, the Capital of one most secretive and mysterious nations in the world today. *Watch in HD full screen* Enter Pyongyang from JT Singh on Vimeo . “Enter Pyongyang” is a stunning collaboration between city-­branding pioneer JT Singh and flow-motion videographer Rob Whitworth. Blending time-lapse photography, acceleration and slow motion, HD and digital animation, they have produced a cutting‐edge panorama of a city hardly known. (via Vimeo )

Nightvision is a celebration of the brilliance and diversity of architecture found across Europe. Over the course of three months Luke Shepard journeyed with a friend through 36 cities in 21 countries with the ambition of capturing some of the greatest European structures in a new and unique way.  Comprised of thousands of carefully taken photographs, strung together and stabilized in post-production, Nightvision aims to inspire appreciation for these man-made landmarks. [via NIGHTVISON ] Take a tour!  Guggenheim Museum in Bilbao Spain designed by Frank Gehry ~ Photo by Luke Shepard Watch full screen for full effect! NIGHTVISION from Luke Shepard on Vimeo .

"Adrift" is a love letter to the fog of the San Francisco Bay Area. Photographer  simon christen   chased it for over two years to capture the magical interaction between the soft mist, the ridges of the California coast and the iconic Golden Gate Bridge. *watch fullscreen HD Adrift from Simon Christen on Vimeo . "The weather conditions have to be just right for the fog to glide over the hills and under the bridge. I developed a system for trying to guess when to make the drive out to shoot, which involved checking the weather forecast, satellite images and webcams multiple times a day. For about 2 years, if the weather looked promising, I would set my alarm to 5am, recheck the webcams, and then set off on the 45-minute drive to the Marin Headlands. I spent many mornings hiking in the dark to only find that the fog was too high, too low, or already gone by the time I got there. Luckily, once in a while the conditions would be perfect and I was able to capture somethin...