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Raymond Depardon , born in France in 1942, began taking photographs on his family farm in Garet at the age of 12. Apprenticed to a photographer-optician in Villefranche-sur-Saône, he left for Paris in 1958 He joined the Dalmas agency in Paris in 1960 as a reporter, and in 1966 he co-founded the Gamma agency, reporting from all over the world. In 1978 Depardon joined Magnum and continued his reportage work. Depardon has made eighteen feature-length films and published forty-seven books.  " I’m coming from journalism, but at the same time I’m tempted by poetry, politics, and maybe the idea of being a witness, a belief that you can still change things with the image."    ~ Raymond Depardon     Manhattan Out   Manhattan Out  was created in the winter of 1980-81.   Raymond Depardon  had accompanied a friend to New York and spent his days wandering the big apple. New York or rather New Yorkers impressed him greatly. He often photographed ...

Journalist Christopher Moloney had an epiphany while walking through Central Park one day,  “Every day I walked past tons of locations from popular—and not-so-popular—movies,” he explains. He decided to start printing out stills from the films and comparing them to their real-life counterparts. “Since then, I’ve re-created more than 250 scenes around the city.” His work—which includes movies as varied as Midnight Run, The French Connection, and Shaft—can be found at his Web site, FILMography . “I’m actually surprised that locations used in the 1940s and 1950s haven’t changed that much,” he says. “But places used in movies last year are virtually unrecognizable.” New York also changes depending on the director, Moloney adds. “You can tell just how much filmmakers like Woody Allen and Martin Scorsese and Spike Lee love the city. It’s sometimes hard to believe that those three very different places are all the same city.” [via Vanity Fair ] Léon: The Professional, 1994 Christopher Mo...